![]() Young Hugo’s musical studies were not confined to the hours of his attendance at the Conservatoire, he took advantage of the intense musical life of the capital and absorbed as much art as he could. He made many friends, including the young Gustav Mahler. He studied the piano with Wilhelm Schenner and harmony and composition first with Robert Fuchs and then with the strict and pedantic Franz Krenn. Wolf began his full-time studies at the Conservatory. In September, 1875, Wolf travelled to Vienna where he stayed with his aunt Katharina. He planned on joining Vienna Conservatory to the disappointment of his father, who had hoped Wolf would not try to make his living from music. Some speculate that his academic difficulties at Marburg may well have been deliberate since he was now fixed on pursuing pure musical ideas to build his career. Hugo’s stay at Marburg wasn’t a success either, and he ended up quitting after a falling-out with one of his professors. In September 1871, Wolf joined Marburg where he stayed with his brother Gilbert and sister Modesta at his uncle’s house. Paul were generally satisfactory but he eventually left because of his difficulties in the compulsory Latin studies. Paul located in the Lavant valley in Carinthia in an attempt to complete his education. He then joined a religious academic institution named St. His stay there lasted only one term and he ended up back home at Windischgraz. He also studied the piano with Johann Bufra.Īt Gymnasium, Hugo's educational troubles began. Outside the Gymnasium, Hugo attended the school of the Styrian Musical Association in Burggasse for violin lessons under Ferdinand Casper. He entered the lowest class of the Gymnasium in the Lichtenfelsgasse at Graz, the Styrian capital, in 1870. Hugo left the Windischgraz in 1869, having completed the whole course of instruction available there. In spite of this great misfortune, Hugo's childhood at Windischgraz was mainly a happy one and Philipp made sure that all his sons had the educational opportunities that he had been denied when he was young. One day in 1867, a fire broke down in the family’s house and warehouse which caused a catastrophic blow to the family fortunes from which they had never recovered. This work left a vivid impression in Hugo’s mind that he was afterwards able to play long passages of Belisario from memory. In 1866, when Hugo was only six years old, this little orchestra made a public appearance at a fancy-dress ball.Īnother extension of young Hugo's musical experience occurred in November 1868, when he was taken to his first opera, "Belisario" by Donizetti at a provincial opera-house in Klagenfurt. A very young Hugo Wolf (probably when he was 16)Ī group of friends and family members used to assemble regularly at the Wolfs' house in the evenings and it was in this way that a small household orchestra came into existence. Under Weixler, he made good progress in the study of the piano, laying the foundations of his later remarkable command of the instrument. ![]() His musical education then passed out of his father's hands into those of Sebastian Weixler at the age of four. ![]() Young Hugo received his first music lessons from his father.
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